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      <image:title>Bio</image:title>
      <image:caption>Sama Alshaibi photo credit: Zakiriya Gladney</image:caption>
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      <image:title>Bio</image:title>
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      <image:title>Home - Cite Without Seeing, mixed media collage, 2025</image:title>
      <image:caption>One Country, mixed media collage, 2025 from the project “طرس - Palimpsest”</image:caption>
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      <image:title>Home</image:title>
      <image:caption>Sama Alshaibi is participating in The Lost Paintings: a Prelude to Return Curated by Rula Khoury, Joëlle Tomb, and Haidi Motola, this powerful international exhibition brings together 53 artists from Palestine and its diaspora to reimagine the lost works of Maroun Tomb, an exhibition originally erased by the Nakba in 1947 and rediscovered through archival research.⁠ The internationally touring exhibition debuted in a two-part installation at articule and MAI (Montréal, arts interculturels) and is currently moving to Ireland. Click here to learn more about the exhibition Sama Alshaibi's photograph “Like Sugar From Ashes” is featured in the touring exhibition.</image:caption>
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    <lastmod>2026-03-19</lastmod>
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    <loc>https://www.samaalshaibi.com/publications</loc>
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    <lastmod>2026-01-04</lastmod>
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      <image:title>Publications - Sama Alshaibi: Sand Rushes In Monograph published by Aperture Foundation Sama Alshaibi: Sand Rushes In, the first book by the artist, presents work from Silsila, a video and photographic installation that premiered at the 2013 Venice Biennale, as well as other series. Alshaibi’s lyrical multimedia work explores the landscape of conflict: the ongoing competition for land, resources, and power in the Middle East, and the internal battle for control between fear and fearlessness. Additional material, selected from the artist’s series Negative’s Capable Hands, Collapse, and Thowra, is presented in the context of Silsila, meaning “chain” or “link” in Arabic. The artist uses the desert, borders, and the body as overarching symbols of the geopolitical and environmental issues and histories, linking the Arab-speaking world. Edited by Isabella Ellaheh Hughes, a writer, and curator based in Abu Dhabi and Honolulu, this book includes an interview between Hughes and Alshaibi, a foreword by Salwa Mikdadi, and an essay by Alfredo Cramerotti. 9 1/2 x 12 1/2 in. (24.1 x 31.8 cm) 128 pages 108 four-color photographs and video stills Clothbound with jacket ISBN 978-1-59711-308-3 $80.00/£55.00</image:title>
      <image:caption>purchase at Aperture</image:caption>
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      <image:title>Publications - Sama Alshaibi: Tell It To The River solo exhibition catalog published by Maraya Art Centre</image:title>
      <image:caption>This study — published in conjunction with the artist’s mid-career survey exhibition at the Maraya Art Centre — shares Sama Alshaibi’s influential oeuvre through a twenty-year odyssey of artworks and journal entries. Forward by Dr. Nina Heydemann, primary texts by Dr. Huma Gupta and Sama Alshaibi, essay by Mo Reda, and interview with Cima Azzam. 155 pages, paperback text published in Arabic and English 50 photographs purchase at Maraya Art Centre</image:caption>
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      <image:title>Publications - Being and Belonging Contemporary Women Artists from the Islamic World and Beyond Exhibition Catalog–Royal Ontario Museum, Toronto</image:title>
      <image:caption>Interviews with women artists connected with the Islamic world and their compelling works that are shaping contemporary art today. Showcasing artworks that offer political and poetic commentary on many of today’s major global issues, Being and Belonging also features powerful and intimate interviews with 25 women artists from the Islamic world and beyond. Born and living in many different countries, the artists claim space and place as equal commentators on the world we live in today. Whether addressing domestic spaces, political displacement, war, discrimination, or gender and sexuality, these artists invite us to move away from easy and schematic representations of the world. The featured artists include Sama Alshaibi, Shahzia Sikander, Dilyara Kaipova, Lubaina Himid, Manal AlDowayan, Shirin Neshat, Mona Hatoum, and Tayeba Begum Lipi, and the works included in the book range from paintings, drawings, photography, and ceramics to mosaics, textiles, graffiti, animation, and video installations.  Edited by Fahmida Suleman, curator of the Islamic World collections at the Royal Ontario Museum. 7.75 x 10.70 in 168 Pages | 100 color + 2 b-w illus. ISBN 9780300275094 $50 purchase at Yale University Press</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/56eb9364-8da0-4cf4-90a2-8e900d28b951/Screen+Shot+2022-03-26+at+8.21.34+AM.png</image:loc>
      <image:title>Publications - Tribe: Photography and New Media from the Arab World | Issue 10 Tribe is a non-profit publication focused on documenting photography, film, and video from the Arab world. Invested in the creative culture of the art industry, the magazine offers insight on the extensive talent within the Arab world. As a global platform, our core mission is to create an archive and to stimulate dialogue about both emerging and established artists who are defining their practice. Essay, cover and color reproductions: “Sama Alshaibi: Reorienting Our Gaze Choreographies of an art practice,” feature by Woodman Taylor, pp. 72-85. Cover: Sama Alshaibi, Ma Ijtama’t Aydina ‘ala Qabdah illa wa-Kanat Mu’attalah (What our hands joined was broken) with Mu’allaqat (Suspended) in the background, from the series Silsila (2009)</image:title>
      <image:caption>purchase at Tribe</image:caption>
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      <image:title>Publications - Artpace at 25: 25th Anniversary Publication In celebration of its 25th anniversary, Artpace San Antonio has published a 272-page volume of never-before-published curatorial essays and full-color images of every exhibition created through its International Artist-in-Residence program from 2008 to 2019. $60.00</image:title>
      <image:caption>purchase at Artpace</image:caption>
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      <image:title>Publications - Sama Alshaibi: Staging the Imagined</image:title>
      <image:caption>solo exhibition catalogue by Ayyam Gallery, Dubai. Sama Alshaibi’s newest body of work from her solo exhibition Staging the Imagined, reflects the relationships of power and authority between photographer and subject. The work investigates how a particular historical period can alter viewers’ interpretations of photographs. Through various projects, Alshaibi reframes historical photographs and moving images that according to Grace Aneiza Ali “reference a grave historic malpractice—the role of photography, both colonial and contemporary, in reducing the body, the life, the desires, the experiences, the hopes, and dreams, indeed the very existence, of the Middle Eastern woman to a dangerous single story—one rooted in the primitive and in fear, fantasy, inferiority, and objectification.”. Selection of quoted text from exhibition catalogue: Women’s Work:  Art &amp; Activism in the 21st Century, curated and authored by Grace Aneiza Ali (Pen + Brush Gallery, NYC, NY, 2019). Generation after Generation was commissioned by Artpace International Artist Residency. Carry Over was supported in part by the Arab Fund for Arts and Culture, Arizona Commission of the Arts, the Project Development 1st Prize Award from The Center at Santa Fe, University of Arizona and Artpace International Artist Residency.  click to view or download the catalogue</image:caption>
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      <image:title>Publications - BredaPhoto Festival 2018 edition is To Infinity and Beyond, focusing on the fundamental change technology and science bring to the world around us. Clustered in six domains; Cosmos, Intelligence, Biology, Society, God and Image, the 58 participating photographers explore the opportunities, the dangers and the dilemmas of technological progress. Picturing what’s happening in front of our eyes, or taking the liberty to make a careful prediction of what might happen next. For the 2018 edition, the team of Dutch curators has been expanded with three international associated curators: Mohamed Somji (United Arab Emirates), Yumi Goto (Japan), and Azu Nwagbogu (Nigeria). The festival’s publication To Infinity and Beyond contains a wide selection of work by the participating photographers with background information, an introduction on the theme, and reflective columns by the three associated curators. T EC059 | 220 × 297 mm | 232 p | Otabind paperback | full-color offset | EN/NL edition: 2250 ISBN 978-94-92051-40-0 € 27.50</image:title>
      <image:caption>purchase at The Eriskay Connection</image:caption>
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      <image:title>Publications - Suspended Territories group exhibition catalogue published by Marta Herford Museum of Art “The photographs and video installations of Silsila were created over a seven-year period, and although each scene is different from the next, a cohesive narrative is visible among the works. Alshaibi appears in most of its images, but remains anonymous in the symbolic role of a migrant, or performs as an inhabitant of vivid terrain. Adapting these vantage points, she emphasizes the link between political unrest and environmental issues by alluding to the psychic effects of displacement with her body, or signaling a process of purification and rebirth as she gestures towards the land.” Selection of quoted text by Maymanah Farhat from the exhibition catalogue essay “Desert Life (and Death) in Sama Alshaibi’s Silsila”. Texts: Roland, Nachtigäller, Paul Ardenne, Valerie Behiery, Marie -Laure Allain Bonilla, Gretta Louw, Maymanah Farhat, Roger Outa, Ana Siler, Sarah Zürcher 184 pages, 22 x 30 cm, paperback Language: English, German Publisher : Marta Herford gGmbH Cover Art: Sama Alshaibi Price: 32 €</image:title>
      <image:caption>purchase at Marta Herford Museum of Art</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615920121606-RX4CAIVKJ4HI23ZMLUGW/SMOCA_Sama_Alshaibi_catalogue.png</image:loc>
      <image:title>Publications - Sama Alshaibi: SILSILA, solo exhibition catalogue published by Scottsdale Museum of Contemporary Art</image:title>
      <image:caption>Sama Alshaibi’s epic series of photographs and videos is named for the Arabic word silsila, or “link”—a simple noun describing a point of connection. As a verb, “link” also describes the act of joining two discrete units. Silsila represents the joining of individuals to one another, humans with the natural world, and the self to the divine. Inspired by the intrepid fourteenth century-explorer and scholar Ibn Batūtah, Alshaibi retraced his journeys through the Middle East, North Africa, and the Maldives—a group of Southeast Asian islands threatened by rising sea levels. Silsila’s powerful images provoke contemporary questions about borders, migration, and environmental demise in relation to the human body. Since 2009 Alshaibi has explored and documented predominantly Muslim countries. The resultant large-scale color photographs and videos record the sublime desert terrain and vast skies of countries such as Egypt, Morocco, Oman, and Palestine. Isolated amongst these spare landscapes, Alshaibi presents the feminine form as a metaphor for humanity and the natural world. Visually, Alshaibi uses jewel-like colors, geometric patterning, mirroring, and symmetry to reference the formal qualities of Islamic art traditions. This catalogue contains installation images of the exhibition, the full exhibition checklist, and the essay "Land is Body is Home" by Claire C. Carter, Curator of Contemporary Art at SMoCA. click to view or download the catalogue</image:caption>
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      <image:title>Publications - PORTABLE NATION: 55th International Art Exhibition la Biennale di Venezia - Maldives Pavilion "The history of artistic aesthetics of the Maldives is not widely documented. The archipelago is rather known for its most central aesthetical topics – the supreme beauty of the ocean, ecology, and environment. The first Maldives Pavilion at 55th Venice Biennial, therefore, suggests treating the culture and nature of the Maldives as the central subject, marking its importance through its ecology, and what it would mean for the islands to disappear. Ecology and nature in the current state of global warming is no longer about national borders or certain regions. The fact that the impact of changing nature links Maldives and Venice in the environmental scenario of rising sea levels thereby became the starting point to think of an international discursive format rather than a national representation of the island nation of the Maldives in a narrow sense." Catalog edited by: Dorian Batycka, Camilla Boemio, Alfredo Cramerotti, Aida Eltoire, published by Maretti Editore (Italy). Features an interview between Alshaibi and Isabella Ellaneh Hughes, project statement, color reproductions and installation views from Alshaibi's participation in the Maldives Pavilion at the 2013 Venice Biennale. 23 x 27 cm Publisher Maretti Editore 2014 – English 176 pages Brossura binding ISBN 978 88 89477 519 € 40.00</image:title>
      <image:caption>purchase at Maretti Editore</image:caption>
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      <image:title>Publications - We Are Iraqis: Aesthetics and Politics in a Time of War – an anthology edited by Nadje Al-Ali and Deborah Al-Najjar. Published by Syracuse Press (NY). Alshaibi's essay "A Tale of Two Exiles" and art reproductions from In This Garden and Between Rivers are featured alongside other Iraqi artists, writers, poets, filmmakers, photographers, and activists. Recipient of the 2014 Arab American Book Prize in Non-fiction. 9.3 x 6.4 x 0.9 inches Series: Contemporary Issues in the Middle East Hardcover: 266 pages Syracuse University Press 2013 – English ISBN-10: 0815633017 ISBN-13: 978-0815633013 $45.00</image:title>
      <image:caption>purchase at Syracuse Press purchase at Amazon</image:caption>
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      <image:title>Publications - View From Inside: Contemporary Arab Photography, Video and Mixed Media Art FotoFest International, 2014, published by Schilt Publishing (Amsterdam). Features Alshaibi's duotone reproductions and statement, as well as essays by Karin Adrian von Roques, Dr. Claude W. Sui, Samer Mohdad and Mona Khazindar. The texts cover the early appearance of photography in the Middle East and North Africa in the mid-nineteenth century through photography's evolution as an integral part of the contemporary Arab art world. Wendy Watriss, Senior Curator and Artistic Director for FotoFest have written the introduction. 24 x 30 cm Schilt Publishing 2014 – English 340 pages with over 200 images in full color and duotone ISBN: 9789053308257 €50.00</image:title>
      <image:caption>purchase at Schilt Publishing</image:caption>
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    <loc>https://www.samaalshaibi.com/news</loc>
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    <lastmod>2026-01-04</lastmod>
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      <image:title>News - ‘طرس’ (Tterss–Palimpsest) at Paris Photo 2025 Art Fair: Solo booth with Ayyam Gallery Paris Photo, Nov 13-16, 2025 - Grand Palais Conversation, David Alekhuogie and Sama Alshaibi, moderated by Morad Montazami, Paris Photo, Grand Palais</image:title>
      <image:caption>Solo: Sama Alshaibi, Ayyam Gallery booth at Paris Photo, 2025.</image:caption>
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      <image:title>News - Sama Alshaibi at Unbound Visual Arts, Boston The Lost Paintings: a Prelude to Return exhibition October 19 – December 27, 2025 Panel &amp; reception: Dec 14, 5:30-10 pm Curated by Rula Khoury, Joëlle Tomb, and Haidi Motola, this powerful international exhibition brings together 53 artists from Palestine and its diaspora to reimagine the lost works of Maroun Tomb, an exhibition originally erased by the Nakba in 1947 and rediscovered through archival research.⁠ The internationally touring exhibition debuted in a two-part installation at articule and MAI (Montréal, arts interculturels).⁠ Alshaibi will participate as a panelist with the co-curator of the Lost Paintings Project and four artists. Moderated by Michael Maria at Unbound Visual Arts, on Dec 13th.</image:title>
      <image:caption>Like Sugar From Ashes, digital archival print, 2024</image:caption>
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      <image:title>News - Sama Alshaibi awarded fellowship at Macdowell artist residency , June, 2025</image:title>
      <image:caption>At MacDowell, Alshaibi produced a mixed-media project comprising Lidar scans, photography, and archival materials to explore Baghdad’s transformation and ecological decline. The collages reflect the city’s complex urban narrative, drawing on modernist theories of perception and materiality in visual and literary forms. photo credit: Ali Malik</image:caption>
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      <image:title>News - Sama Alshaibi at Gerald Peters Contemporary, Santa Fe, NM The End of Nature (exhibition) August 14, 2025 - October 4, 2025</image:title>
      <image:caption>Guest curated by Erin Joyce and Ninabah Reid Winton, The End Of Nature exhibition takes place over four themes: Introduction, Destruction, The Body + Space, A Renaissance. Featuring currently practicing artists working in film, video, sculpture, assemblage, fashion, and sound, the exhibition highlights artists whose works investigate the body, movement, colonization, the impacts of the media on cultural understanding, and environments – both natural and non-natural. Alshaibi will be participating with her video artwork, “See Without Being Seen”. Artists: Sama Alshaibi, Janna Avner, Koyukon Athabascan, Yaritza Flores Bustos, Alan Butler, Demian DinéYazhi’ + Louis Chavez, SHAWNÉ MICHAELAIN HOLLOWAY, Justin Guthrie, Sky Hopinka, iris yirei hu, Caroline Monnet. Video still from “See Without Being Seen”</image:caption>
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      <image:title>News - 'Maknana: An Archeology of Media Art in the Arab World' Diriyah Art Futures | Riyahd | Saudi Arabia 25 of April - 19 of July, 2025</image:title>
      <image:caption>For its second major show, Diriyah Art Futures brings together 40+ artists from across the Middle East, spotlighting their use of technology and new media to shape art in the contemporary Arab world. The exhibition will run until July 19 at DAF in Diriyah. The exhibition explores the rich history of new media arts in the Arab world through a collection of over 70 works of art by more than 40 pioneering Arab artists. The Arabic term “Maknana,” meaning the act of entrusting a task to a machine or becoming part of it, inspires the exhibition’s central inquiry: how Arab artists have interacted with, repurposed, and challenged technology to shape their creative vocabularies. The selected works engage with contemporary sociopolitical contexts, from digital protest and machine logic to memory preservation, speculative environments, and glitch aesthetics. Prelude to the Round City (2023) by Sama Alshaibi installed at Diriyah Art Futures. Co-curated by Haytham Nawar and Ala Younis.</image:caption>
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      <image:title>News - ‘طرس’ (Tterss–Palimpsest)</image:title>
      <image:caption>Solo exhibition, Ayyam Gallery, 15 April - 30 May 2025, Dubai, UAE طرس is Sama Alshaibi’s most solo exhibition featuring her most recent body of work. The exhibition brings together mixed-media collages and video art that reimagine Baghdad’s transformation—its peaks, declines, and latent possibilities. Through Alshaibi’s work, Baghdad becomes a site of physical presence and alternative visions—one that is “always mediated, annotated, and glimpsed through shifting thresholds.” — Sama Alshaibi Exhibition View at Ayyam Gallery: TRRESS, Sama Alshaibi, mixed media collages and video work. Learn more: https://www.ayyamgallery.com/exhibitions/272-tterss-sama-alshaibi/overview/</image:caption>
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      <image:title>News - Sama Alshaibi featured in ‘Elle Arabia’</image:title>
      <image:caption>Embracing Identity, Culture, and Heritage ELLE Arabia, March 15, 2025 “ELLE Arabia shines a spotlight on a powerful wave of female artists making their mark at Art Paris 2025 in their latest issue. This exposure not only celebrates the cultural diversity of the Middle East but also brings a fresh, new perspective to the fair. Using a variety of media, these artists explore cultural and social shifts in the region, sparking important conversations. Among them is Sama Alshaibi, a prominent Middle Eastern artist featured at the fair. Through her photography, Alshaibi addresses the contrasting power dynamics between the Western and Middle Eastern worlds. This collection of works is sure to stir deep emotions.” - Elle Arabia</image:caption>
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      <image:title>News - Anderson Lecture Artist Talk at Penn State, March 23 at 2pm| University Park| PA Foster Auditorium, Paterno Library</image:title>
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      <image:title>News - With Dust and Light: Reflections on Memory, Movement and Metaphor Artist Talk at Yale University, Oct 23, 2024 | New Haven | CT</image:title>
      <image:caption>Sama Alshaibi’s lecture delves into the key themes that have shaped her practice over the past two decades through photography, video, emerging media, and installation. Engaging in site-specific visual explorations, performative gestures, and often using her body as a gendered site or geographic device, Alshaibi reflects on both personal and collective experiences of migration, fragmentation, refugeeism, and citizenship. Her work reimagines the afterworlds of war and socio-ecological collapse, meditating on survival and resilience. 4:00pm to 5:30pm Location: Loria Center for the History of Art LORIA, 351, Hosted by Yale Department of The History of Art &amp; Council on Middle East Studies</image:caption>
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      <image:title>News - Nepantla: The Land is The Beloved Exhibition at Tacoma Art Museum 18 May 2024 - 6 Sept 2024 | Tacoma | WA</image:title>
      <image:caption>Historical representations of the American West are largely characterized by emptied or vacant landscapes, stereotypical images of Indigenous peoples, and limited representations of American culture. In recent years, however, there has been a shift in how the region’s artistic legacy is discussed, allowing for a more nuanced discussion about the diverse artists who reflect on the complexity of the region. Nepantla: The Land is the Beloved is organized with this in mind by identifying artists whose works acknowledge the settler colonial history that has shaped our perceptions of this place. Bringing together artists who identify with the Arab diaspora in the U.S., which in itself is ethnically and culturally diverse, this exhibition explores how these artists are creating work that serves as an expression of solidarity and a form of intervention. The artists in this exhibition describe fragmentation, rupture, and the ongoing devastation of borderland communities, understanding firsthand what it means to be separated from land that is beloved through forced migration and displacement.”. — Maymanah Farhat, Curator Sama Alshaibi, Borderland series, 2007. left: Nogales/Mexico; center: No-man’s Land II (along the Mexican/American Border); right: Nogales/USA. Digital archival print, 23 x 92 inches</image:caption>
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      <image:title>News - Being and Belonging Exhibition at Royal Ontario Museum 1 July 2023 – 07 Jan 2024 | Toronto | Canada Being and Belonging: Contemporary Women Artists from the Islamic World and Beyond is a bold exhibition exploring the defining issues of our time from the perspective of 25 women artists from or connected to the broader Islamic world spanning across West Africa to Southeast Asia or living in diaspora. Deftly interrogating themes of identity, power, sexuality, and home, this exhibition resists simple stereotypes with outstanding artworks from both emerging and well-established artists. Global artists include Huda Lutfi, Lalla Essaydi, Lubaina Himid, Mona Hatoum, Shahzia Sikander, Shirin Neshat, CANAN, Shamsia Hassani and Sama Alshaibi, among others. Alshaibi is participating with the sculpture “An Act of Possession” and “Eternal Love Song,” a photogravure from her project “Carry Over”. A catalog of the exhibition published by Yale University Press is forthcoming. Curated by Dr. Fahmida  Suleman, Curator of the Islamic World collections at ROM and Dr. Silvia Forni, Director of the Fowler Museum at UCLAake. An Act of Possession Repurposed aluminum and wood travel trunk from 1948 photo credit: © ROM/Paul Eekhoff</image:title>
      <image:caption>Learn More: https://www.rom.on.ca/en/exhibitions-galleries/exhibitions/being-and-belonging</image:caption>
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      <image:title>News - Make it stand out</image:title>
      <image:caption>Curator Conversations Beyond the Western Gaze: Reclaiming Identities in the Art of Sama Alshaibi  Tuesday, October 3, 2023 | 12:00 pm EDT Hosted by Royal Ontario Museum and University of Toronto How have Western ideas of Eastern cultures influenced images of women from the Islamic world in art? In this digital Curator Conversation, Fahmida Suleman chats with Sama Alshaibi about her photography, and how it explores this theme and reflects the artist's experiences of being displaced from her country of birth for over 40 years. Watch: https://www.rom.on.ca/en/rom-at-home/curator-conversations-beyond-the-western-gaze-reclaiming-identities-in-the-art-of-sama Installation view at Royal Ontario Museum photo credit: © ROM/Paul Eekhoff</image:caption>
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      <image:title>News - Sama Alshaibi named Art Matters Betty Parsons Fellow, Artist2Artist Award</image:title>
      <image:caption>Art Matters Foundation announced the third year of Artist2Artist, a program where grant recipients—artists—act as grantmakers. In September, the Foundation awarded 225K in fellowships to 30 artists. Learn More: https://www.artmattersfoundation.org/grantees/sama-alshaibi</image:caption>
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      <image:title>News - Crafting Resistance Exhibition at ASU Art Museum 19 Aug 2023 – 14 July 2024 | Tempe | AZ Crafting Resistance looks at the ways in which we understand and view the term craft and its relationship to fine art. The exhibition seeks to flatten the western European art historical cannon and hierarchy and unhinge the binary that often places ‘fine art’ and ‘craft’ at odds with one another. Artists in the exhibition utilize materials and modes of production that are often relegated to what is historically viewed as craft, mediums such as glass, textile, felt, miniature, and wood, and instrumentalize them to make commentary about some of today’s most pressing issues, including climate catastrophe, representation, geo-politics, and migration. Exhibiting artists include Sama Alshaibi, Merryn Omotayo Alaka, Andrew Erdos, Maria Hupfield, Yasue Maetake, Jayson Musson, Eric-Paul Riege, Curtis Talwst Santiago, and Sam Frésquez. Curated by Erin Joyce.Make it stand out</image:title>
      <image:caption>Learn More</image:caption>
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      <image:caption>Sama Alshaibi: Silsila Solo exhibition at Hattan Gallery in collaboration with the Center for Fine Art Photography 5 Oct 2023 – 22 Dec 2023 | Fort Collins | CO The Center for Fine Art Photography and the Hatton Gallery at Colorado State University are excited to present Sama Alshaibi: Silsila as part of the Environmental Justice through the Arts Exhibition series. Arabic for ‘chain’ or ‘link,’ Silsia is a multi-media project depicting Alshaibi’s seven-year cyclic journey through the Middle East and North African region's significant deserts and endangered water sources. Through this body of work, the artist examines connections between different cultures under the threat of displacement, recognizing shared global issues that must be addressed. Review: in Daria Learn More: https://art.colostate.edu/events/silsila-by-sama-alshaibi/</image:caption>
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      <image:title>News - Tell it to the River Solo exhibition at Maraya Art Centre 27 Feb 2023 – 30 June 2023 | Sharjah | UAE Tell it to the River is a mid-career survey of Iraqi-born artist Sama Alshaibi, bringing together significant parts of her practice over the last two decades. The exhibition debuts two commissions, one of them inaugurating Alshaibi's 2021 Guggenheim Fellowship and the other marking the closing chapter of an eight-year long photographic series. Following a 40-year displacement, the two new projects mark the return of Alshaibi to her homeland of southern Iraq. Curated by Mo Reda and Cima Azzam. Click to view the exhibition catalog: featuring an essay by Dr. Huma Gupta.</image:title>
      <image:caption>Learn More: https://maraya.ae/exhibitions/view/tell-it-to-the-river/126</image:caption>
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      <image:title>News - Sama Alshaibi: Generation After Generation Solo exhibition at Phoenix Art Museum 17 Sept 2022 – 14 May 2023 | Phoenix | Arizona</image:title>
      <image:caption>Sama Alshaibi's solo exhibition "Generation After Generation" showcases her recent work that explores the legacy of colonial-era photography and newsreel cinema produced in the Middle East and North Africa by Western photographers. Reframing Orientalist clichés and tropes found in these images, Alshaibi replicates the traditional print processes along photography's historical timeline while unsettling the Orientalist portrait captured by the ever-evolving technology. Alshaibi received the 2021 Arlene and Morton Scult Artist Award from the Phoenix Art Museum. The award includes a monetary prize to support the creation of new work and a solo exhibition at the Museum. Learn More: https://phxart.org/exhibition/2021-artists-awards/</image:caption>
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      <image:title>News - Phoenix Art Museum has named Sama Alshaibi as the recipient of the 2021 Arlene and Morton Scult Artist Award</image:title>
      <image:caption>The Arlene and Morton Scult Artist Award recognizes a mid-career artist working in Arizona. Eligible candidates are nominated and must demonstrate artistic excellence through their work, be actively engaged in making and exhibiting new work, and demonstrate significant growth in their work over their careers. A panel of highly qualified jurors selects the recipient based on the work they are producing and the pieces they have created. The award includes a financial prize and a solo exhibition at the Museum the year following the award. Learn more: https://phxart.org/phoenix-art-museum-announces-recipients-of-2021-arlene-and-morton-scult-artist-award-lehmann-emerging-artist-awards/</image:caption>
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      <image:title>News - STATE OF THE ART: LOCATE at Currier Museum of Art 20 Oct 2022 – 12 Feb 2023 | Manchester | New Hampshire</image:title>
      <image:caption>In collaboration with Crystal Bridges, this exhibition features a selection from the 2020 edition, State of the Art 2020. Locate speaks to the ways in which artists orient themselves through relationships-either with people or places and how they, through that relationship, locate things hidden from view. In this way, the works in the exhibition include an exploration of expansive ideas of family and home, a dive into how identity is linked with location, and a probe into how artists today seek truths buried in history. Sama Alshaibi will exhibit her installation, The Cessation, at The Art Museum of South Texas, an institution affiliated with Texas A&amp;M University. Organized by Crystal Bridges Museum of American Art, Bentonville, Arkansas.</image:caption>
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      <image:title>News - Sama Alshaibi at Marshall Gallery | The Intimacy of Distance: Explorations of the Figure/Ground 10 Sep - 29 Oct 2022 | Santa Monica, CA The Intimacy of Distance | Explorations of the Figure/Ground is an exhibition addressing one of the quintessential relationships in representational art: the frisson and distance between the human subject and the field. Organizers Lawrence Gipe and Douglas Marshall have gathered a diverse group of seventeen artists that use photography and photo-derived processes to explore this trope, creating a conversation amongst artists that are quite divergent in vision, context and methodology. The exhibition's trajectory examines the myriad psychological effects produced by the figure/ground relationship. The work featured surveys a wide swath of conceptual terrain, touching on issues such as Colonialism, the Anthropocene and the Sublime, and surveillance. The human element in the composition can be intimately close or cropped, veiled, or too distant to identify – the latter being a reflection on the deferential position Humanity faces in the vastness of Nature. Learn More: https://marshallgallery.art/exhibitions/32-the-intimacy-of-distance-explorations-of-the-figure-ground/d out</image:title>
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      <image:title>News - Sound for Silents 2022: Film + Music on the Walker Art Center Minneapolis, MN | 18 August 2022 | 7:30–10 pm</image:title>
      <image:caption>Sound for Silents is an electrifying evening of live music paired with films from the Ruben/Bentson Moving Image Collection. The program will feature a newly commissioned score from ethereal Iowa City–based singer-songwriter Pieta Brown. Pieta Brown blends her love of film soundtracks, folk songs, and experimental soundscapes in a program titled This Land is Your Music. Brown’s compelling and visually stunning meditation on the connections between people, land, and music weaves her sounds throughout 65 minutes of films mostly by women, including the Ukrainian-born luminary Maya Deren, Minneapolis-based filmmakers Sheryl Mousley and Rini Yun Keagy, award-winning artists Kelly Gallagher and Sama Alshaibi, and others. Click here for more info</image:caption>
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      <image:title>News - STATE OF THE ART: LOCATE at The Art Museum of South Texas 26 May – 11 Sept 2022 | Corpus Christi | Texas. In collaboration with Crystal Bridges, this exhibition features a selection from the 2020 edition, State of the Art 2020 Locate speaks to the ways in which artists orient themselves through relationships-either with people or places and how they, through that relationship, locate things hidden from view. In this way, the works in the exhibition include an exploration of expansive ideas of family and home, a dive into how identity is linked with location, and a probe into how artists today seek truths buried in history. Sama Alshaibi will exhibit her installation, The Cessation, at The Art Museum of South Texas, an institution affiliated with Texas A&amp;M University. Organized by Crystal Bridges Museum of American Art, Bentonville, Arkansas.</image:title>
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      <image:title>News - Sama Alshaibi at Cihan Gallery Heterotopia 10 May - 10 June 2022 | Erbil | Kurdistan-Iraq Heterotopia is an art exhibition curated by Ahmad Nabaz that explores a spiritual and cognitive space to discuss the issues related to displacement. The artists speak to the sense of alienation and lack of belonging derived from being separated from cultures and society, most of which are suspended in a third space. Exhibiting artists include Azad Nanakeli, Azad Karim, Ahmad Nabaz, Havin Al-Sind, Sakar Sleman, Sama Alshaibi, Sara Niroobakhsh, Walid Siti and Younes Mohammad.</image:title>
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      <image:title>News - Sama Alshaibi named a 2021 Guggenheim Fellow in Photography</image:title>
      <image:caption>The John Simon Guggenheim Memorial Foundation offers Fellowships to further the development of scholars and artists by assisting them to engage in research in any field of knowledge and creation in any of the arts, under the freest possible conditions and irrespective of race, color, or creed. Guggenheim Fellowships are intended for individuals who have already demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts. Learn More: https://www.gf.org/fellows/all-fellows/sama-alshaibi/</image:caption>
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      <image:title>News - SAMA ALSHAIBI: FOUR SERIES Zane Bannett Gallery a| Santa Fe, NM February 25, 2022 - April 16, 2022</image:title>
      <image:caption>In this solo display, four series spanning a decade of Alshaibi’s practice (Carry Over, Silsila, Between Two Rivers and Negative’s Capable Hands) exemplify her complex and varied approach to “complicating the coding of the Arab female figure found in the image history of photographs and moving images.” The artist often steps into her own frame, crafting self-portraits that draw tense lines between cultural symbolism and personal identity. An opening reception will be held on Friday, February 25, 5–7pm.</image:caption>
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      <image:title>News - Sama Alshaibi’s solo exhibition, FOUR SERIES at Zane Bennett Gallery, reviewed by Hyperallergic Sama Alshaibi’s Four Series draws on historical sources, contexts, and techniques to articulate the definitions and exploitations of freedom. Her exhibition Four Series at Zane Bennett Gallery spans 15 years of artistic inquiry with a selection of photographs from four discrete bodies of work: Carry Over (2019), Silsila (2009-2017), Between Two Rivers (2008-2009, 2016), and Negative’s Capable Hands (2007-2010). Exhibition review by Coco Picard.</image:title>
      <image:caption>Link to article: https://hyperallergic.com/721388/freedom-in-body-and-water/</image:caption>
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      <image:title>News - Sama Alshaibi at Art Dubai 2022 Ayyam Gallery, booth #F7 at Madinat Jumeirah</image:title>
      <image:caption>Ayyam Gallery (Dubai) is pleased to announce that they are participating in Art Dubai's 2022 edition from 10 - 13 March 2022. The booth will house a collective, including works by Afshin Pirhashemi, Sadik Kwaish Alfraji, Sama Alshaibi, Rula Halawani, and Thaier Helal. Click to learn more</image:caption>
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      <image:title>News - STATE OF THE ART: LOCATE Museum of Contemporary Art | Jacksonville, FL January 21, 2022 - May 1, 2022</image:title>
      <image:caption>In collaboration with Crystal Bridges, MOCA is pleased to present a selection from the 2020 edition, State of the Art 2020: Locate.  Locate speaks to the ways in which artists orient themselves through relationships-either to people or places-and how they, through that relationship, locate things hidden from view. In this way, the works in the exhibition include an exploration of expansive ideas of family and home, a dive into how identity is linked with location, and a probe into how artists today seek truths buried in history. Sama Alshaibi will exhibit her installation, The Cessation, at MOCA. Click to learn more</image:caption>
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      <image:title>News - Visiting Artist, Anderson Ranch Art Center March 20, 2022 – April 2, 2022 | Snowmass, Colorado</image:title>
      <image:caption>The Visiting Artists Program is a core component of the Anderson Ranch experience, bringing artists of all disciplines to their campus. The program is an opportunity that affords artists the time and space to complete projects within their area of expertise and to explore new work. Sama Alshaibi will be working on her new project, “To Speak of Silence”. Click for more information</image:caption>
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      <image:title>News - Artists Hazem Harb &amp; Sama Alshaibi [Double Exposure/afikra] Friday, November 19, 2021 12PM NYC | 5PM London | 7PM Beirut | 8PM Abu Dhabi Interview with artists Hazem Harb and Sama Alshaibi on afikra Double Exposure series in collaboration with Gulf Photo Plus. Hosted by Mikey Muhanna (afikra).</image:title>
      <image:caption>Click to watch the previously recorded event</image:caption>
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      <image:title>News - LAND BODY | Ogden Contemporary Arts Center | Ogden, UT December 10, 2021 – February 20, 2022 Curated by Kelly Carper, LAND BODY is a contemporary exploration of the connections between the human body and the landscape from the perspectives of eleven female artists. Working in Utah, New Mexico and Arizona, exhibited artists pay particular attention to desert environments while speaking to relevant topics in today’s world such as environmental issues and climate concerns, cultural histories in relation to the land, female identity, and more. The show specifically draws metaphorical and physical correlations between desert landscapes and women’s bodies, while broadly reflecting on the interconnectedness between humans and the natural world. Sama Alshaibi will exhibit her video, WASL (Union), from the project “Silsila”. Learn more: https://ogdencontemporaryarts.org/land-body</image:title>
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      <image:title>News - Sama Alshaibi featured in Canvas Magazine</image:title>
      <image:caption>“Swimming Against the Tide,” feature by Jo Lawson-Tancred; includes color reproductions Making Waves edition, Issue 99, pp 158-162. Purchase: https://read.canvasonline.com/</image:caption>
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      <image:title>News - Sama Alshaibi - Visiting Artist Lecture November 9, 2021 at 6:30 PM (MST), 2021 University of Colorado at Boulder</image:title>
      <image:caption>The Visiting Artist and Scholar Program aims to reinforce the mission of the Art and Art History Department by inviting leading artists and scholars to present an array of artistic practices, historical discourse and divergent perspectives that can increase access to creativity and forge new territories between the arts and broader cultural movements. Livestream lecture:  Art &amp; Art History YouTube Channel</image:caption>
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      <image:title>News - Converging Lines: Tracing the Artistic Lineage of the Arab Diaspora in the U.S. September 10 - November 17, 2021 | Middle East Institute Gallery | Washington D.C.</image:title>
      <image:caption>Sama Alshaibi participated in an exhibition curated by Maymanah Farhat, Converging Lines: Tracing the Artistic Lineage of the Arab Diaspora in the U.S. The exhibition seeks to unearth a history by identifying some of the aesthetic threads that connect a diverse, multigenerational group of artists, thus offering a template for future scholarship. The exhibit features seventeen leading Arab American and Arab diaspora artists including: Etel Adnan, Sama Alshaibi, Zeina Barakeh, Kamal Boullata, Huguette Caland, Yasmine Nasser Diaz, Dahlia Elsayed, Kahlil Gibran, Sherin Guirguis, Helen Khal, John Halaka, Jackie Milad, Mohammed Omar Khalil, Zeinab Saab, Jacqueline Reem Salloum, Nazar Yahya, and Helen Zughaib. Click to learn more about Converging Lines at MEI Click to read review in the Washington Post Click to watch panel discussion:  Cultural Hybridity and the Art of the Diaspora</image:caption>
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      <image:title>News - Sama Alshaibi solo exhibition at Kittredge Gallery August 30, 2021 – October 16, 2021 | University of Washington at Puget Sound, WA</image:title>
      <image:caption>Reception &amp; talk 5 p.m. Oct. 13 Learn more: https://www.pugetsound.edu/kittredge-gallery</image:caption>
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      <image:title>News - Model of Motions at CURRENTS New Media Festival June 18, 2021 – August 14, 2021 | form &amp; concept gallery | Santa Fe, NM</image:title>
      <image:caption>Model of Motions is a collaboration between artists Sama Alshaibi and Michael Fadel. The multi-media installation includes Swell, a kinetic wood and metal vessel filled with white sand that undulates, and Footsteps, a video which features a protagonist futilely rowing an oar in an endless white desert. Model of Motions is a satellite installation for the CURRENTS New Media Festival 2021, on view at form &amp; concept gallery, Santa Fe, NM, June 18 – August 14, 2021. Learn More: Model of Motions at form &amp; concept gallery</image:caption>
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      <image:title>News - Sama Alshaibi featured on Arizona Spotlight, Arizona Public Media</image:title>
      <image:caption>Sama Alshaibi, a UA educator and multi-faceted artist who is being recognized with a Guggenheim Fellowship in Photography, discusses the award and her work on legal frameworks in Iraq that restrict the freedoms of Iraqi women and girls. Click to listen to the interview</image:caption>
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      <image:title>News - Sama Alshaibi featured in Southwest Contemporary</image:title>
      <image:caption>Arizona photographers Sama Alshaibi and Stephen Marc, 2021 Guggenheim fellows, discuss how the program will advance their work. Read feature online</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1616549184284-N2NIV31YWKE7QDPKY216/Decolonizing+Art+Women+Middle+East.png</image:loc>
      <image:title>News - Decolonizing Art Narratives: Sama Alshaibi in conversation w/ Beral Madra Mar 24, 2021 8 PM (Doha, Qatar time), 10 AM (Pacific time) | VCU Qatar</image:title>
      <image:caption>The first of a one academic year lecture series, "Decolonizing Art Narratives; Arab Women Artists Today" presents a group of Arab female artists and practitioners across disciplines and regions in the Middle East exploring issues of gender, politics, colonialism, culture, and identity. This lecture series asks: How might we revisit and rethink existing narratives in contemporary art? The lectures as a whole reinforce the focus theme—the pursuit of decolonized art narratives. Join us for the fourth artist lecture of the series by Sama Alshaibi + discussion &amp; Q&amp;A moderated by Beral Madra. The lecture series is curated by Professor Rola Khayyat and Dr. Aissa Deebi. Register for the talk (free)</image:caption>
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      <image:title>News - Visiting Artist Colloquium: Sama Alshaibi Department of Art, UW Madison</image:title>
      <image:caption>Wednesday, November 18 at 5 – 6:15 pm (Central Time) | University of Wisconsin | Madison Sama Alshaibi will be giving an artist talk on her photographs, videos, and immersive installations, which examine the mechanisms of fragmentation in the aftermath of war and exile. The talk will focus on her recent projects, including Carry Over and The Cessation. Click here for more information</image:caption>
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      <image:title>News - Sama Alshaibi cover and feature in Tribe Magazine 10th edition Essay 'Sama Alshaibi: Reorienting Our Gaze Choreographies of an art practice' - by Woodman Taylor</image:title>
      <image:caption>Tribe is an international magazine focused on Photography and New Media from the Arab World, documenting the medium's continued evolution in all its forms. Invested in the creative culture of the art industry, the magazine offers insight into the extensive talent within the Arab World. Sama Alshaibi's photographs from Carry Over, Silsila, Affiche and Generation after Generation are featured on the cover and over 14 pages. Read the issue online</image:caption>
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      <image:title>News - Reading the Moment – conversation series by M. Neelika Jayawardane Session #1: Who gets to Picture, Narrate, Position? September 30, 2020 – 18:30 (RSA) / 12:30 (EDT), VIAD, University of Johannesburg, South Africa</image:title>
      <image:caption>Panelists: Sama Raena Alshaibi, Andrew Jackson, Zora J Murff &amp; Aaron Turner - with M. Neelika Jayawardane Some things are born of beauty, others from when your jaw dropped (several times) as you witnessed innumerable practices of exclusion, masquerading as ‘freedom of expression’. Responding to institutional and systemic practices of exclusion, this session looks to the fugitive work through which black and other minoritised artist photographers assert new ways of looking at communities historically (and currently) pictured through white supremacist, colonial lenses. co-sponsored with Light Work (NY), the Institute for Global Engagement (IGE), SUNY Oswego (NY) Click here for more information on the series. Click here to watch the previously recorded live event.</image:caption>
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      <image:title>News - Photography, History, and Systems of Power Presented by Photo Bill of Rights and Photoville Sept 25, 2020 – 6:30 pm | Photoville, NYC, NY</image:title>
      <image:caption>Sama Alshaibi, John Edwin Mason and Will Wilson join moderator Laura Saunders for a conversation looking back at the origins of photography–how it has been used as a tool of colonialism, and how this legacy still appears today culturally and institutionally. The panelists use their work to examine visual culture by reckoning with systems of power and representation in the medium’s history to ask what lessons we might take away for the future. Watch previously recorded event here</image:caption>
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      <image:title>News - Sama Alshaibi selected for XXI Bienal Internacional de arte de Santa Cruz de la Sierra, Bolivia Curator: Mo Reda | Pavillion: The Fourth Wall | MAC / Museo de Arte Contemporáneo Spring 2020</image:title>
      <image:caption>The fourth wall is a term used in theatrical traditions to indicate and describe the fourth invisible and fictitious wall of the theatre stage that separates actors from the audience. The fourth invisible wall separates ′′ real ′′ from the fiction that is being staged. The fourth wall is a symbol of existential power. Both the audience and actors agree on their own and mutual existence to maintain the order of space. That's the power of simulation. For the XXI edition of the international art of Santa Cruz de la Sierra in Bolivia, curator Mo Reda collaborated with artists from the Middle East in response to the idea of non-existent collective freedom within the fictitious public space. Participating Artists: Sama Alshaibi (Iraq), Larissa Sansour (Palestine), Arwa Alneami (Saudi Arabia), Rahim (Algeria), Jumairy (Arab Emirates), Mohammed Kazem (Arab Emirates) Click here for more information.</image:caption>
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      <image:title>News - Sama Alshaibi at the 13th Cairo International Biennale Artistic Director: Ehab El-Labban June 10, 2019 - August 10, 2019 | Cairo | Egypt</image:title>
      <image:caption>Sama Alshaibi's photographic project "Carry Over" has been selected for the 13th Cairo International Biennale. The year’s event boasts eighty invited artists from fifty countries, exhibited in three exhibition venues: the Palace of the Arts and the Museum of Modern Egyptian Art, both within the Cairo Opera House premises in Guezira, as well as the Aicha Fahmy Palace (formerly known as the Center of the Arts) in Zamalek. Each of the three venues will host a blend of Installation, video works, photography, painting, sculpture and interdisciplinary projects. Viewers at the Biennale venues can also experience several site-specific installations and projections. The Cairo International Biennale was created in the early eighties of the last century as Pan-Arab and international hub, then gradually metamorphosed into a truly international exhibition in biennial format. It is the second oldest art biennale in the Middle East region, after the Alexandria Biennale, that started in the early fifties of the last century to mirror the Venice Biennale across the Mediterranean. For the 13th edition of the Biennale, Artistic Director Ehab El-Labban resumes his directorial role for the third time. For CB 13, Labban has chosen the title of Eyes East Bound, an invitation for artists to explore the colonial term “the Orient.” In his curatorial text, Labban reflects, “While creating our Eyes East Bound Cairo Biennale 13 today, we believe that we are at an age of post “everything”. We share the belief of John Berger, who believes that we have always been seduced –and many times cheated—by elaborative text proposed by professionals; words that are transformed from simple “hypothesis” to “factual reference” by time; simply by age. The consequences are always a reality that lacks clarity, relativity is ultimately lost, and the prison of terms and expressions follows. Eyes East Bound is an attempt to shed light on the universality and timelessness of the art and its makers, collaboratively and non-confrontationally, apart from all barriers and frontiers of ideology and geopolitics”. Click here for information on the 13th Cairo Biennale</image:caption>
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      <image:title>News - Sama Alshaibi selected for CENTER’s Project Development Grant – 1st place recipient</image:title>
      <image:caption>Sama Alshaibi has been selected as the first-place recipient for CENTER’s Project Development Grant recognizing her project, Carry Over. The grant offers financial support to fine art, documentary, or photojournalist works-in-progress and includes a cash award to help complete a project as well as platforms for feedback and professional development opportunities for the work’s final stages. This grant is awarded to projects that are still in progress. Juror Lucy Gallun, Associate Curator, Department of Photography, The Museum of Modern Art, New York shares her thoughts on her selection: "I feel extremely fortunate to have served as the juror for CENTER’s 2019 Project Development Grant. The breadth and diversity of submitted projects was truly impressive, and through the process of reviewing over 600 submissions I was exposed to an astounding array of new work. Many of the submitted projects address urgent issues of our time — including series related to climate crises, global migration, and visibility of at-risk or oppressed populations, among many other complex and often-intersecting subjects. Though perhaps not obvious from first glance, Sama Alshaibi’s Carry Over is such a project. (To use the artist’s own words from her accompanying statement, “the project resists superficial analysis.”) Ingeniously and exquisitely conceived utilizing a photographic process associated with the early histories of the medium — albumen printing — Alshaibi’s work not only looks back, but also reflects upon the current moment and the persistent effects of these photographic histories on contemporary representations of women. These pictures employ and interrogate the characteristics found in Orientalist portraits produced by Western-run studios for Western audiences, while also bringing them forward to bear on subsequent generations including our own, reminding us how — to use Alshaibi’s words — “domination is articulated through photographs.”" Click here for more information on her grant selection</image:caption>
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    <lastmod>2025-11-30</lastmod>
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      <image:title>Artwork - Adjudicating the Jezebel - Make it stand out</image:title>
      <image:caption>Adjudicating the Jezebel Size: 48 in h x 24 in w Year: 2020</image:caption>
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      <image:caption>The Suitor, 22 in x 42 in, digital archival print, 2011</image:caption>
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      <image:caption>The Believer, 22 in x 42 in, digital archival print, 2011</image:caption>
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      <image:caption>The Provider, 22 in x 42 in, digital archival print, 2011</image:caption>
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      <image:caption>The Betrayer, 22 in x 42 in, digital archival print, 2011</image:caption>
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      <image:caption>The Closer, 22 in x 42 in, digital archival print, 2011</image:caption>
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  <url>
    <loc>https://www.samaalshaibi.com/artwork/projects-exodus</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2021-03-10</lastmod>
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      <image:title>Artwork - Exodus</image:title>
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  <url>
    <loc>https://www.samaalshaibi.com/artwork/project-silsila</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615709994451-SB7UOZYY2VBWVLXGM75A/6_Al-Tariqah+%28The+Path%29_from+the+Silsila+series_Sama+Alshaibi.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Al-Ṭarīqah (The path), 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615710282887-MQ8HKZVCRLH9VIIRAU4V/Ta%CA%BEshi%CC%84r+%28Marking%29%2C+2010.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Taʾshīr (Marking), 2010</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615710282241-SMJTEUJGIFI1U9280KAR/Wa%CC%84hat+Siwa%CC%84+%28Siwa+Oasis%29%2C+2013.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Wāḥat Siwā (The Siwa Oasis), 2013</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615711377737-KCXC3JHXOFPUEX707ZDJ/03_Shat%CC%A3t%CC%A3+al-Jari%CC%84d+%28Lake+of+Jerid%29%2C+2011.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Shaṭṭ al-Jarīd (Lake of Jerid), 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615710096584-W1A6L6H23RUT9HZYULSU/Ra%CC%84s+Abu%CC%84+Galu%CC%84m%2C+2011+.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Rās Abū Galūm, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615710341004-IA7Q1L3ZAJX8ILC06GLH/18_Palms%2C+2014.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615709985710-23OBI8FO3EKS5L90C3HZ/1_Fatnis+al-Jazirah+%28Fantasy+Island%29_from+the+Silsila+series_Sama+Alshaibi.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Fātnis al-Jazīrah (Fantasy Island), 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615710340971-VY49LRG1RX5Z6COKRJAW/20_Ma%CC%84+Lam+Tabki%CC%84+%28Unless+weeping%29%2C+2014.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Mā Lam Tabkī (Unless weeping), 2014,</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615711474835-EU8GEHZPU1TJFPE3QX16/19_Tasma%E2%80%9B+%28Listen%29%2C+2014.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Tasma‛ (Listen), 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/356ee4c0-3dfd-4a59-8cd0-e88615201f91/Birket+Siwa+%28Siwa+Lake%29.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Birkat Siwā (Siwa Lake), 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615711469438-RAB61G49YIMJIK69PFKG/09_Al-Rah%CC%A3h%CC%A3a%CC%84lah+%28The+wanderer%29%2C+2012.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Al-Rahhālah (The wanderer), 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615709982255-EH6Q6S3DGWY9CWVH6Q2D/Sama+Alshaibi_Dar+al+Islam+%28Adobe+of+Islam%29+from+Silsila+series%27+2014.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Dār al-Islām (Abode of Islam), 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615711454426-DNG7SAETIGCHPM91NYGW/01_Sabkhat+al-Milh%CC%A3+%28Salt+flats%29%2C+2014.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Sabkhat al-Milḥ (Salt flats), 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615710099634-57EBV4WRIFO1YHSHWF5Z/Sama+Alshaibi+Ta%27shir+%28Marking%29+from+Silsila+series++2010.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Taʾshīr (Marking), 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/7fd16edd-37e3-4c4f-9fc9-4916d072ea53/Wa-Tajtami%CA%BF+al-T%CC%A3uyu%CC%84r+%28And+the+birds+confer%29.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Wa-Tajtamiʿ al-Tuyūr (And the birds confer), 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615711466928-8D8KF5I6V44SMEYMWKVA/14_Ma%CC%84+Ijtama%CA%BFt+Aydi%CC%84na%CC%84+%CA%BFala%CC%84+Qabd%CC%A3ah+illa%CC%84+wa-Ka%CC%84nat+Mu%CA%BFat%CC%A3t%CC%A3alah+%28What+our+hands+joined+was+broken%29%2C+2014+.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Mā Ijtamaʿt Aydīnā ʿalā Qabḍah illā wa-Kānat Muʿaṭṭalah (What our hands joined was broken), 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615709989149-9O130SVXVT2ANU8UF0UK/4_Jarasun+Yaqra%CA%BF+li-l-Mawt+%28Death+knell%29%2C+from+the+Silsila+series_Sama+Alshaibi.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Jarasun Yaqraʿ li-l-Mawt (Death knell), 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615710086963-83LRLCVC4ABKSF0AD974/Mu%E2%80%99allaqa%CC%84td+%28Suspended%29%2C+2009.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Mu’allaqāt (Suspended), 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615711472365-70Y986PQ987ZL7HY0ZBU/12_Al-Ma%CA%BFna%CC%84+al-Tha%CC%84lith+%28The+third+meaning%29.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Al-Maʿnā al-Thālith (The third meaning), 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615710101732-LRBANL9LD23STYWAX6OX/Is%CC%A3ra%CC%84r+%28Persistence%29%2C+2010.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Iṣrār (Persistence), 2010</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/2d336ae3-e698-473d-935d-0018a4b02111/L%E2%80%99Invasion+de+la+Mer+%28Invasion+of+the+sea%29%2C+2011%2C+fom+the+series+Silsila.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>L’Invasion de la Mer (Invasion of the sea), 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/305bc5b5-0d8e-4cc9-984a-760157bf74f5/Tajammud+al-Zama%CC%84n+%28Freezing+of+time%29%2C+2014.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Tajammud al-Zamān (Freezing of time), 2014</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615710070786-6S8AUSN76UTZP7VP6VCH/Mare+Mecca+%28Sea+of+Mecca%29%2C+2014.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Mare Mecca (Sea of Mecca), 2014</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/40f73736-5df2-4db0-b70b-68acc9b1b0ea/+Al-S%CC%A3ah%CC%A3ra%CC%84%CA%BE+al-Bayd%CC%A3a%CC%84+%28The+white+desert%29+from+Silsila+series%27+166+X+250+cm.+Diasec+Print+2011.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Al-Ṣaḥrāʾ al-Bayḍāʾ (The White Desert), 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/5560d000-ac1f-459b-9628-e3337b56f018/Sama+Alshaibi+%27Rub%27+al+Khali+from+Silsila+series%27+120+cm.+in+diameter+Diasec+Print+Edition+of+3+%2B+1AP+2014.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Al-Rubʿ al-Khālī (The Empty Quarter), 2014</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615710091574-8U8P7K75YADZYXQTB93B/Muru%CC%84r+%28Passing%29.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Murūr (Passing), 2010</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/4cb011ea-4ca2-45d7-8e70-54d9c6b818a7/Yamkuth+%28Remains%29%2C+2014%2C+from+the+series+Silsila.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Yamkuth (Remains), 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615710088127-EUIWYDYH3FQRON96M5ZY/Morocco+slope.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Mā Bayn al-Mahallayn Khidā, (The Lie Between), 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/55642353-35b5-49b9-912c-ac249b962e8e/Sih%CC%A3r+H%CC%A3ala%CC%84l+%28Permissible+magic%29%2C+2014.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Siḥr Ḥalāl (Permissible magic), 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615711471948-6YZ6BYEFUF6WEAZCZQW2/05_Wa%CC%84di%CC%84+al-Nat%CC%A3ru%CC%84n+%28Natron+Valley%29%2C+2011.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Wādī al-Naṭrūn (Natron Valley), 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/eddfa4a3-5835-4887-a96c-2d0f0c3ba999/06_Taraku%CC%84na%CC%84+Narghab+bi-l-Mazi%CC%84d+%28They+left+us+wanting%29%2C+2014.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Tarakūnā Narghab bi-l-Mazīd (They left us wanting), 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615711469203-4NS0HX7G4B8NSGS80DYY/10_Qas%CC%A3i%CC%84dat+al-Jannah+%28The+poem+of+practice%29%2C+2012+.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Qaṣīdat al-Jannah (The poem of practice), 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615710103264-QZJ6L1XXYYEWXXGZVT3Y/Shrowd_Berber.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Idhā Intahā Thumma Yabtadi’ (If Over and Then Begins), 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/11c7cb82-4959-40a8-9457-31818255266d/SAMSH69+Sama+Alshaibi+%27Al-Jawahir+%28The+Jewels%29%27+120+cm.+in+diameter+Diasec+Print+Edition+of+3+%2B+1AP+2014.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Al-Jawāhir (The jewels), 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/f3c2ec01-47cf-49fd-bb8c-41ba943948c0/SRI_148_Background+possibilities-103.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Wādī al- Qamar (Valley of the moon), 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1617519869241-PNBYXH0HX9HX0QE9VEAJ/11_Silsila+%28Link%29%2C+2013.jpg</image:loc>
      <image:title>Artwork - Silsila</image:title>
      <image:caption>Silsila, 2014</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.samaalshaibi.com/artwork/project-actofpossession</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615502563689-6DFVXGCQ40O41LEAOZTM/an+act+of+possession+_alshaibi.jpg</image:loc>
      <image:title>Artwork - An Act of Possession - An Act of Possession</image:title>
      <image:caption>"An Act of Possession" is constructed from a travel trunk first manufactured in 1948. The now hollowed-out luggage reflects the impossibility of containing or carrying one's possessions. The tangible spaces and keepsakes that provide a sense of belonging—homeland, home, or many personal items of significance, cannot be transported. Robbed of its functionality, the cutout trunk panels signal a transparent, framed shell of its former self. An Act of Possession Medium: Repurposed aluminum and wood travel trunk from 1948 Size: 26.5 inch h x 17 in w x 8.5 in d Year: 2019 Originally commissioned by Artpace San Antonio, TX</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.samaalshaibi.com/artwork/project-catalogue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615419350696-9WNFLP6PAOZPS0Z6YF2H/CATALOGUE+3+ALSHAIBI.png</image:loc>
      <image:title>Artwork - Catalogue</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615419309062-821ILIR44G5UN0JXS9GC/CATALOGUE+2+ALSHAIBI.png</image:loc>
      <image:title>Artwork - Catalogue</image:title>
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  <url>
    <loc>https://www.samaalshaibi.com/artwork/model-of-motions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615665156776-42VWS4JKZHCTIXBNSBGT/Model+Of+Motions+2+_+Swell.jpg</image:loc>
      <image:title>Artwork - Model of Motions</image:title>
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    <image:image>
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      <image:title>Artwork - Model of Motions</image:title>
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    <image:image>
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      <image:title>Artwork - Model of Motions</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615665137663-X4XFIHKP6ZRIC14RHI9G/Alshaibi_Fadel_Model_of_Motions_small.jpg</image:loc>
      <image:title>Artwork - Model of Motions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615663663412-SO2SMSTE7NMZ5FTJNIME/footsteps.jpg</image:loc>
      <image:title>Artwork - Model of Motions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615665915081-YDOQHP4T1YPEGD6WYBU1/Model+of+Motion_Swell+sm.jpg</image:loc>
      <image:title>Artwork - Model of Motions</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.samaalshaibi.com/artwork/project-affiche</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615499171580-2H02FOL622MXEMDDD6PK/Alshaibi_Pass+By+My+Body_40inx60in.jpg</image:loc>
      <image:title>Artwork - Affiché</image:title>
      <image:caption>Pass By My Body, Digital Archival Print, 60 in x 40 in, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615500294194-FO0D9VHYNJMBJ1VDI8Z9/beige+vertical.png</image:loc>
      <image:title>Artwork - Affiché</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615499172114-VHR5F6LL8SILMGVMGCRZ/Alshaibi+_+Even+After+40inx60in.jpg</image:loc>
      <image:title>Artwork - Affiché</image:title>
      <image:caption>Even After, Digital Archival Print, 60 in x 40 in, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615499206258-XUEYMMEDVLQX0LRCIR8E/Generation+after+Generatin+IAIR_SAlshaibiExhibitionPhotography_CreditSealePhotographyStudios_4.2.201917.jpg</image:loc>
      <image:title>Artwork - Affiché</image:title>
      <image:caption>Generation after Generation, screenprint, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615499722076-7T35PQ00NLF4A512BVVI/IAIR_SAlshaibiExhibitionPhotography_CreditSealePhotographyStudios_4.2.20197.jpg</image:loc>
      <image:title>Artwork - Affiché</image:title>
      <image:caption>"Generation after Generation" installed at Artpace solo exhibition "Until Total Liberation" – Artpace, TX, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615500294175-ND9DTQ5F5DEYNONDCXPZ/beige+horizontal+23.png</image:loc>
      <image:title>Artwork - Affiché</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615499174088-IZFCG2VG6YK5IQGHEMO0/Alshaibi_You+Who+Are+Body%2C+Vessel_40x60inch.jpg</image:loc>
      <image:title>Artwork - Affiché</image:title>
      <image:caption>You Who Are Body, Vessel, Digital Archival Print, 60 in x 40 in, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615499170738-YVSW59W9EBZJD2ZT09X6/Alshaibi_Of+Someone_s+Memory+40in+x60in.jpg</image:loc>
      <image:title>Artwork - Affiché</image:title>
      <image:caption>Of Someone's Memory, Digital Archival Print, 60 in x 40 in, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615499169878-LNNPBLWKH98Q51ALWKDX/Alshaibi+_+I+Am%2C+She+Is_40inx60in.jpg</image:loc>
      <image:title>Artwork - Affiché</image:title>
      <image:caption>I am, She is, Digital Archival Print, 60 in x 40 in, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615501204345-W2KEVZOQCFE377DY2JO9/beige+square.png</image:loc>
      <image:title>Artwork - Affiché</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615499178073-XENIJ96H2R8Q8F180FKL/Alshaibi+small+Generation+after+Generation.jpg</image:loc>
      <image:title>Artwork - Affiché</image:title>
      <image:caption>Generation after Generation, Digital Archival Print, 92 in x 204 in, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615499170678-CHMGCOJAJAOGXAV070S2/Alshaibi_Call+It+Girl+Brand_40inx60in.jpg</image:loc>
      <image:title>Artwork - Affiché</image:title>
      <image:caption>Call It Girl Brand, Digital Archival Print, 60 in x 40 in, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615499221791-2A2LRSO8JHFAZ38W2BC8/Alshaibi_Staging+the+Imagined+1+.jpg</image:loc>
      <image:title>Artwork - Affiché</image:title>
      <image:caption>"Generation after Generation" at solo exhibition "Stanging the Imagined" – Ayyam Gallery, Dubai, 2019</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.samaalshaibi.com/artwork/sama-alshaibi-tterss</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/e3fa6307-9b98-4a62-8dea-669ac38de6c7/Duplicates+.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>Duplicates, 2025 Mixed media collage, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/a7571b6c-56be-4db6-b068-2f2f92c9be33/As+If+We+Were+Another.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>As If We Were Another, 2025 Mixed media collage 57 x 76 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/e3aa4fa4-48be-42b1-80b7-1a6e546fa17b/Cite+without+Seeing.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>Cite Without Seeing, 2025 Mixed media collage 57 x 76 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/b671cf04-421b-45e2-a169-e258c4c3366a/One+Country+copy.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>One Country, 2025 Mixed media collage 77 x 107 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/a513d7e4-31d8-4588-9b8a-90c5cfa51eec/Monument+Free.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>Monument Free, 2025 Mixed media collage 57 x 76 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/e6d2c110-b9c6-4552-909d-bceca5b196ef/the+previous+draft.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>The Previous Draft, 2025 Mixed media collage 57 x 77 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/5af795b8-4960-41cf-855f-db92c9954c6b/Right+of+Occupancy.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>Right of Occupancy, 2025 Mixed media collage 57 x 76 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/a3702a27-7931-4ee2-9a23-a5cc4f560995/In+Miniature.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>In Miniature, 2025 Mixed media collage 77 x 107 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/6cac3217-d165-4901-9d44-bcf494b2705c/ashura+copy.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>Ashura, 2025 Mixed media collage 57 x 76 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/a1e5dfa3-6a77-4afd-9873-b1c3bdfbfa6b/Kodak+Code.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>Kodak Code, 2025 Mixed media collage 57 x 76 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/512971e9-f5e2-4753-9b63-06defc85a38c/Rules+Errata.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>Rules Errata, 2025 Mixed media collage 57 x 76 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/9d30fcd6-61c5-47dd-af46-58357e85d385/Diachrony..jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>Diachrony, 2025 Mixed media collage 57 x 76 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/bc3506c1-5216-4b66-a773-9fb83b13c785/Towers.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>Towers, 2025 Mixed media collage 57 x 76 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/f46e9e71-f2df-4831-b1e3-5a288a1ec6e0/%28check+name%29+Paper+Monuments.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>Paper Monuments, 2025 Mixed media collage 57 x 76 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/43d45485-3c8d-464c-be0d-25ca7211c5a1/No+sure+of+name.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>The Nature of Fiction, 2025 Mixed media collage 57 x 76 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/fe661145-66fd-4e2e-90d5-95618bfa7f19/In+Conversation.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>In Conversation, 2025 Mixed media collage 57 x 77 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/afb690bd-d8aa-4ee1-ac55-71b1e74d2472/Flags.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>Flags, 2025 Mixed media collage 57 x 76 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/fcb33dc0-5423-4ac1-bdb1-fe26b755f13c/A+Site+of+Potential+Belonging.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>A Site of Potential Belonging, 2025 Mixed media collage 57 x 76 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/5986cd63-f2b7-4fb6-8fed-f2064c53437f/Residue.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>Residue, 2025 Mixed media collage 57 x 76 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/7d99fb4c-f252-49ab-a697-e361f8107285/Basrah+Addendum.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>Basrah Addendum, 2025 Mixed media collage 57 x 76 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1b7efb48-f76c-4741-9af0-b5eb5805bce7/what+survives.jpg</image:loc>
      <image:title>Artwork - طرس (TTERSS–Palimpsest)</image:title>
      <image:caption>What Survives, 2025 Mixed media collage 57 x 76 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/f46e9e71-f2df-4831-b1e3-5a288a1ec6e0/%28check+name%29+Paper+Monuments.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://www.samaalshaibi.com/artwork/project-carryover</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615492656722-FDRNDJBJ6CDQHZDMD3R3/Water+Bearer+II+photograveur.jpg</image:loc>
      <image:title>Artwork - Carry Over</image:title>
      <image:caption>Water Bearer II</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615493484104-LCS5M5KMCXSN1VM38S61/02_SAlshaibi_Gamer_Albumen+print.jpg</image:loc>
      <image:title>Artwork - Carry Over</image:title>
      <image:caption>Gamer II</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/e43f6e41-d878-4fc6-9fd2-a137d986c73c/gumoil+straight-Gamer+Stack.jpg</image:loc>
      <image:title>Artwork - Carry Over</image:title>
      <image:caption>Gamer Stack</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1617476876182-MD9PX24GYEWYARV7SN9X/Alshaibi_Spools_photogravures.jpg</image:loc>
      <image:title>Artwork - Carry Over</image:title>
      <image:caption>Spools</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615493099500-ZGQEER4RFZTOSTOROU3W/Alshaibi_Justice_albumen.jpg</image:loc>
      <image:title>Artwork - Carry Over</image:title>
      <image:caption>Justice</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/c91ff02d-ee69-4ccc-9b01-a6b460b7d21f/gumoil+straight-Hornet%27s+Nest.jpg</image:loc>
      <image:title>Artwork - Carry Over</image:title>
      <image:caption>Hornet's Nest</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615492656246-PT8NIEJHA89LZ7NXXK1W/Alshaibi_Mashrabiya_photogravure.jpg</image:loc>
      <image:title>Artwork - Carry Over</image:title>
      <image:caption>Mashrabiya</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615493088032-BUPYDN6VPE95LQXCVCZL/Threads+II.jpg</image:loc>
      <image:title>Artwork - Carry Over</image:title>
      <image:caption>Threads</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/3e052849-e398-4d6d-8ccf-1a6327a43acd/gumoil+straight-Justice.jpg</image:loc>
      <image:title>Artwork - Carry Over</image:title>
      <image:caption>Justice</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615492656547-SAJFM73BXTQJZDH7PX9L/Alshaibi_Sheesha_photogravure.jpg</image:loc>
      <image:title>Artwork - Carry Over</image:title>
      <image:caption>Sheesha II</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615493090790-B1AYWM299PBOYVJCEADS/Alshaibi_Nostalgic+for+the+Light+_albumen+21x14+inches.jpg</image:loc>
      <image:title>Artwork - Carry Over</image:title>
      <image:caption>Nostalgic For The Light</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/55d6021a-dee1-4960-bc32-e05011e0010f/gumoil+straight-marjana.jpg</image:loc>
      <image:title>Artwork - Carry Over</image:title>
      <image:caption>Marjana</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615492663573-03X952J6A0UYGKBIYI3A/Alshaibi_Gamer_photograveur.jpg</image:loc>
      <image:title>Artwork - Carry Over</image:title>
      <image:caption>Gamer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615493090816-CP3W6E7T4TB4L7K55DR7/Alshaibi_Marjanah+Albumen.jpg</image:loc>
      <image:title>Artwork - Carry Over</image:title>
      <image:caption>Marjana</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/35339d0b-bd4c-4b65-8904-b89333ca49ef/gumoil+straight-smoke.jpg</image:loc>
      <image:title>Artwork - Carry Over</image:title>
      <image:caption>Smoke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615492662482-1Z77SBX2T1LJ97TW2FFB/Alshaibi_Justice_photograveur.jpg</image:loc>
      <image:title>Artwork - Carry Over</image:title>
      <image:caption>Justice</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615493102954-5U7Z95SZCU4782470H2V/Alshaibi_Harvest+II_albumen.jpg</image:loc>
      <image:title>Artwork - Carry Over</image:title>
      <image:caption>The Harvest</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/604a78db-1316-41d6-8474-7aac07c9d317/gumoil+straight-Sheesha.jpg</image:loc>
      <image:title>Artwork - Carry Over</image:title>
      <image:caption>Sheesha</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615492656799-3BA37F2LGCDEDI3Z1NDK/Alshaibi_Marjanah+photograveur.jpg</image:loc>
      <image:title>Artwork - Carry Over</image:title>
      <image:caption>Marjana</image:caption>
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    <image:image>
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      <image:caption>Photo credit Seale Photography Studios</image:caption>
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      <image:caption>Photo credit Seale Photography Studios</image:caption>
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      <image:caption>Photo credit Seale Photography Studios</image:caption>
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  <url>
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    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-04</lastmod>
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  <url>
    <loc>https://www.samaalshaibi.com/archive/memorial-to-the-disinherited</loc>
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    <priority>0.5</priority>
    <lastmod>2021-04-04</lastmod>
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      <image:title>Archive - The Disinherited: a counter-memorial to exile</image:title>
      <image:caption>The Disinherited: a counter-memorial to exile, 2005 (money wedding headdress) Copper, cloth, beads, thread.</image:caption>
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  </url>
  <url>
    <loc>https://www.samaalshaibi.com/archive/efflorescence-jawlan-in-parenthesis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-30</lastmod>
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      <image:title>Archive - Efflorescence: Jawlan in Parenthesis</image:title>
      <image:caption>Neighbors Imagined for Majdal Shams, 2018, Digital Archival Print, 85 x 85 cm</image:caption>
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    <image:image>
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      <image:title>Archive - Efflorescence: Jawlan in Parenthesis</image:title>
      <image:caption>Blossom &amp; Siege, 2016, Digital Archival Print, 65 x 95 cm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/518f5dba-0408-4120-bec3-031e05be5b38/danger+mines.jpg</image:loc>
      <image:title>Archive - Efflorescence: Jawlan in Parenthesis</image:title>
      <image:caption>Danger Mines!, 2016, Digital Archival Print, 65 x 95 cm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/fb5616b5-8a9c-46e9-8c0f-8e82769ace09/Jawlan_Sama_Alshaibi_01.jpg</image:loc>
      <image:title>Archive - Efflorescence: Jawlan in Parenthesis</image:title>
      <image:caption>Majd al Shams, 2016, Digital Archival Print, 65 x 95 cm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/87dc88f1-3475-41f9-b1d1-a01fb05833cd/They+Feed+on+Mirage+2016.jpg</image:loc>
      <image:title>Archive - Efflorescence: Jawlan in Parenthesis</image:title>
      <image:caption>They Feed on Mirage, 2016, Digital Archival Print, 65 x 95 cm</image:caption>
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    <image:image>
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      <image:title>Archive - Efflorescence: Jawlan in Parenthesis</image:title>
      <image:caption>Jawlan, 2016, Digital Archival Print, 65 x 95 cm</image:caption>
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    <image:image>
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      <image:title>Archive - Efflorescence: Jawlan in Parenthesis</image:title>
      <image:caption>Ain Fit, 2016, Digital Archival Print, 65 x 95 cm</image:caption>
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    <image:image>
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      <image:title>Archive - Efflorescence: Jawlan in Parenthesis</image:title>
      <image:caption>Orchards, 2016, Digital Archival Print, 65 x 95 cm</image:caption>
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    <image:image>
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      <image:title>Archive - Efflorescence: Jawlan in Parenthesis</image:title>
      <image:caption>Sundown on Grievances, 2016, Digital Archival Print, 65 x 95 cm</image:caption>
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    <lastmod>2021-03-17</lastmod>
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      <image:caption>In My Country's Embrace</image:caption>
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      <image:caption>Target Practice</image:caption>
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      <image:caption>Worthless Possession</image:caption>
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      <image:caption>Abu Ammar RIP</image:caption>
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      <image:caption>Portrait of the Disinherited</image:caption>
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      <image:caption>Witness</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/012536d5-3307-4869-956c-8563dad4277b/deflecting+evil.jpg</image:loc>
      <image:title>Archive - Birthright</image:title>
      <image:caption>Ijtihad</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/fe8754dc-fb7a-455b-a536-8ca5eabafab4/Hamdala.jpg</image:loc>
      <image:title>Archive - Birthright</image:title>
      <image:caption>Handala</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/56584024-e0cd-4176-8484-351c8d57ffd9/The+Weight.jpg</image:loc>
      <image:title>Archive - Birthright</image:title>
      <image:caption>The Weight</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/a11e5e23-c183-4e79-b131-800b57a70528/Olives+From+Gaza_the+bitter+dream.jpg</image:loc>
      <image:title>Archive - Birthright</image:title>
      <image:caption>Olives From Gaza: the bitter dream</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1616018374187-0QN7H84O4L6A8KAO8NRR/Return</image:loc>
      <image:title>Archive - Birthright - Birthright</image:title>
      <image:caption>Birthright is the artist's visual objection towards the world's denial of Palestinian humanity. The project is also based on narratives of Alshaibi's mother’s family's forced migration from Palestine to Iraq, and then to America, and culminates with her own "return" to Occupied Palestine that as a refugee, she has no rights of a permanent return to. The work forms a discourse that complicates accepted and official history. As witnesses to history, Alshaibi's family's memories act as a personal testimony that objects to the effacement of events that have shaped geography and modern-day politics. Birthright, based on her family's exile, uses the body as a symbol, the retrospective witness that links the present to a time before they were refugees, exiles, and labeled "terrorists". The quintessential woman, the pregnant mother, performs the injustices, defying all attempts to obliterate the Palestinian history and who they collectively are. Digital Archival Print at 29.5 x 23 in. each, 2004-2005</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.samaalshaibi.com/archive/the-bride-wears-orange</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/cbaecfdc-a743-4dec-8c31-26c6bf456b2f/5.jpg</image:loc>
      <image:title>Archive - The Bride Wears Orange</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/5b87a572-9f66-42ed-90b3-74a4d9ddb2da/4.jpg</image:loc>
      <image:title>Archive - The Bride Wears Orange</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/c4a92b8f-8e02-4587-9693-77f41d542fff/1.jpg</image:loc>
      <image:title>Archive - The Bride Wears Orange</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/ea97825f-7836-4074-aeef-1c4f3d8e8084/2.jpg</image:loc>
      <image:title>Archive - The Bride Wears Orange</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1617034080234-NBCL4V42YB3R85ADG80Z/Screen%2BShot%2B2017-10-09%2Bat%2B8.18.39%2BAM.jpg</image:loc>
      <image:title>Archive - The Bride Wears Orange</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/c0c0dc3f-1151-4d59-8a7f-f5987493f15e/3.jpg</image:loc>
      <image:title>Archive - The Bride Wears Orange</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1617034142358-J7CO75PJ4MOGC7F84PDS/Gitmo+Girl.jpg</image:loc>
      <image:title>Archive - The Bride Wears Orange</image:title>
      <image:caption>The Bride Wears Orange, Video 10min 52 sec, 2009</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.samaalshaibi.com/archive/all-i-want-for-christmas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-04</lastmod>
  </url>
  <url>
    <loc>https://www.samaalshaibi.com/archive/and-other-interruptions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/9dd8aab3-1bf3-477e-9b50-287432af0df5/bethlehem_checkpoint.jpg</image:loc>
      <image:title>Archive - And Other Interruptions</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/a47f5908-56f5-493f-b248-e6c3b99b5049/contested+land+left+and+right+sides+copy.jpg</image:loc>
      <image:title>Archive - And Other Interruptions</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/9ea138e3-d971-4728-b92e-33d80ff1588e/mexico+wall.jpg</image:loc>
      <image:title>Archive - And Other Interruptions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1c039c69-ebfb-4ea1-b7ed-464d76da0bf9/dividedland_left+and+right+side.jpg</image:loc>
      <image:title>Archive - And Other Interruptions</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/43acdad8-9680-4837-8ffb-18adcb789e6c/MexicoUSAcheckpoint.jpg</image:loc>
      <image:title>Archive - And Other Interruptions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/74b5756c-8ca0-43f6-82eb-9fcb5ff5fa45/no_mans_land.jpg</image:loc>
      <image:title>Archive - And Other Interruptions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/306ec6c0-034c-44cb-b579-73184a32973a/Red+Sea+Hilal+_+4+images.jpg</image:loc>
      <image:title>Archive - And Other Interruptions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/d7b70c57-bb06-48a5-a2aa-09a340844e27/Bethlehem+Stress+2005.jpg</image:loc>
      <image:title>Archive - And Other Interruptions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/19616d86-607e-4a03-8f27-5ff27806f8b4/mexico+wall.jpg</image:loc>
      <image:title>Archive - And Other Interruptions</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.samaalshaibi.com/archive/end-of-september</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/e3431fd4-361d-462d-b61b-68128d2acdb5/end+of+september+1.jpg</image:loc>
      <image:title>Archive - End of September (film)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/d49db879-1c96-46bd-9824-3fe7b5bb1a09/bus.jpg</image:loc>
      <image:title>Archive - End of September (film)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/7ce98841-f7af-4a2f-a540-37c668b68812/nekba2.jpg</image:loc>
      <image:title>Archive - End of September (film)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/8e734fa1-e7bd-43fd-8e7e-e4b9a9c197c9/firastaybeh2-2.jpg</image:loc>
      <image:title>Archive - End of September (film)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/85ed0f88-26ee-44a3-922c-0b662574d3dd/majd.jpg</image:loc>
      <image:title>Archive - End of September (film)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1616561139959-5HUD4579H349CB74LPAU/End+of+September+fedayeen.jpg</image:loc>
      <image:title>Archive - End of September (film)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.samaalshaibi.com/archive/between-two-rivers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615678553958-O3WJTYHFJCNHFX483WID/Razor+Wire.jpg</image:loc>
      <image:title>Archive - Between Two Rivers</image:title>
      <image:caption>Razor Wire, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615678660186-H8U26GWROLLMTKFEM5J1/To+Eat+Bread.jpg</image:loc>
      <image:title>Archive - Between Two Rivers</image:title>
      <image:caption>To Eat Bread, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615679173122-ZPBUHCGHPT95WVVNMIUY/After+The+Vote.jpg</image:loc>
      <image:title>Archive - Between Two Rivers</image:title>
      <image:caption>After The Vote, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615677449725-314S4U730AS81P8UC50B/10_Say+Nothing.jpg</image:loc>
      <image:title>Archive - Between Two Rivers</image:title>
      <image:caption>Say Nothing,2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615677447792-FJX4WQZ3YZONKYSPPXS6/3_Shadows+of+Black.jpg</image:loc>
      <image:title>Archive - Between Two Rivers</image:title>
      <image:caption>Shadows of Black, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615677448372-N2B8XEDA93LTUPEJV82T/009_Counting+The+Loss.jpg</image:loc>
      <image:title>Archive - Between Two Rivers</image:title>
      <image:caption>Counting The Loss, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615678080814-JUOZPCI10VFWTBBQJ72B/1_Arabic+and+Cuneiform+to+read+and+write.jpg</image:loc>
      <image:title>Archive - Between Two Rivers</image:title>
      <image:caption>Arabic and Cuneiform: to read and write, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615678079678-KLBY8XVPNMVUPIOBAW8G/4_The+Frontline.jpg</image:loc>
      <image:title>Archive - Between Two Rivers</image:title>
      <image:caption>The Frontline, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615678077120-Z3USSCUA9LM5YIV12BRT/2_Endure.jpg</image:loc>
      <image:title>Archive - Between Two Rivers</image:title>
      <image:caption>Endure, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615678081645-CXCVNC2AWX48XJYELLF8/5_The+Hanging+Marionette.jpg</image:loc>
      <image:title>Archive - Between Two Rivers</image:title>
      <image:caption>The Hanging Marionette, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615678075976-DYMEDFIZ54QQX61VH07G/3_Obverse+Discursive.jpg</image:loc>
      <image:title>Archive - Between Two Rivers</image:title>
      <image:caption>Obverse Discursive, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615677446978-7V2QZ952IQYKDZIEDCQJ/6_The+Marked.jpg</image:loc>
      <image:title>Archive - Between Two Rivers</image:title>
      <image:caption>The Marked II, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615677447985-R5N5E0LL6SMBH94BR1PG/7_Minaret+from+Death+Row.jpg</image:loc>
      <image:title>Archive - Between Two Rivers</image:title>
      <image:caption>Minaret at Death Row, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1615678900131-CNK3FD6OKPDYI5SIRZVX/11_Branded.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://www.samaalshaibi.com/archive/the-pessimists</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1616198054167-VCLDJI6A0UWE28HI7MQF/Sissy_My_Playmate_highres.jpg</image:loc>
      <image:title>Archive - The Pessimists</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1616198122105-0WOV20AS7VIA1JCEDCHK/Triptych+Sissy_My_Enemy+Photo+older+work.jpg</image:loc>
      <image:title>Archive - The Pessimists</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1616198174630-TWQ9A6YZNO0S0OCXOFNI/Triptych+hand_check_slap_PHOTO+older+work.jpg</image:loc>
      <image:title>Archive - The Pessimists</image:title>
      <image:caption>“Sissy My Playmate; Sissy My Enemy; Hand-Check-Slap”  2009, Digital Archival prints on Silver Rag</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.samaalshaibi.com/archive/warhead</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/bc27d94a-ad64-4f0c-9b1c-14ffcc7fe5c4/Payload+42x28.jpg</image:loc>
      <image:title>Archive - Warhead</image:title>
      <image:caption>Payload, 42 in x 28 in, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/6dfd589e-3d60-4e4f-9b23-aea39b5d327e/CloseSupport.jpg</image:loc>
      <image:title>Archive - Warhead</image:title>
      <image:caption>Close Support, 42 in x 28 in, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/ae859a04-10a0-4cda-9426-4ca624d400e0/Intercontinental.jpg</image:loc>
      <image:title>Archive - Warhead</image:title>
      <image:caption>Intercontinental, 42 in x 28 in, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/a73c56b0-1e2e-4a88-871c-d12a4dd4a3b1/Alshaibi_Sama_Workhorse+of+the+Upper+42x+28.jpg</image:loc>
      <image:title>Archive - Warhead</image:title>
      <image:caption>Workhorse of the Upper, 42 in x 28 in, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/dd709f8d-76f1-4530-9db3-b55b7103979f/airToair.jpg</image:loc>
      <image:title>Archive - Warhead</image:title>
      <image:caption>Air to Air, 42 in x 28 in, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/d593c43b-eefe-489d-9dc0-adde790ec593/In+All+Weather+42x28.jpg</image:loc>
      <image:title>Archive - Warhead</image:title>
      <image:caption>In All Weather, 42 in x 28 in, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/42145f99-5ac4-4f83-a527-4caa457f9a19/Next+Generation+42x28.jpg</image:loc>
      <image:title>Archive - Warhead</image:title>
      <image:caption>Next Generation, 42 in x 28 in, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/e7251429-b64a-49a7-ba79-20bf6a680d20/SurfacetoSurface.jpg</image:loc>
      <image:title>Archive - Warhead</image:title>
      <image:caption>Surface to Surface, 42 in x 28 in, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/cc3a09d9-12a0-473a-9787-c5022e45c017/Probe.jpg</image:loc>
      <image:title>Archive - Warhead</image:title>
      <image:caption>Probe, 42 in x 28 in, 2009</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.samaalshaibi.com/archive/baghdad-mem-wars</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/ed9a8582-9ad6-493d-ac66-79c7fa60e7aa/absencepresence_004.jpg</image:loc>
      <image:title>Archive - Baghdadi Mem/Wars</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/92469143-b93e-49b1-97d8-00ad792e80ef/absencepresence_005.jpg</image:loc>
      <image:title>Archive - Baghdadi Mem/Wars</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/e7d32409-af44-4aa2-a888-5b5697e0c276/absencepresence_006.jpg</image:loc>
      <image:title>Archive - Baghdadi Mem/Wars</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/bbad4ab0-e676-4902-b092-a7475b842d68/absencepresence_007.jpg</image:loc>
      <image:title>Archive - Baghdadi Mem/Wars</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/87ab029e-1814-4f6a-beaf-e0a96ca381bf/absencepresence_008.jpg</image:loc>
      <image:title>Archive - Baghdadi Mem/Wars</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/ce76f7f0-2bf2-444f-a91f-93bc1b826aaa/absencepresence_009.jpg</image:loc>
      <image:title>Archive - Baghdadi Mem/Wars</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/d998551f-1221-47ca-be58-006e63f058c0/absencepresence_001.jpg</image:loc>
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      <image:caption>Still/Chaos, 9 images at 20 in x 20 in each, digital archival print, 2010 ed. 5 + 2 AP</image:caption>
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    <lastmod>2021-03-17</lastmod>
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  <url>
    <loc>https://www.samaalshaibi.com/exhibitions-1</loc>
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    <lastmod>2026-01-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/5f54d03f-ad6d-4acb-9695-0bf44d37c32c/Screenshot+2025-12-22+at+1.45.20%E2%80%AFAM.png</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>A promotional poster for an art exhibition titled 'PARIS PHOTO 2025' by Sama Alshaibi, featuring a photograph of a building's interior with brick walls and metal railings, with event details and dates listed.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/3315eded-e88c-42f8-ac8b-fe8d972b2110/Screenshot+2025-05-03+at+15-10-09+Sama+Alshaibi+Samia+Halaby+Ali+Kaaf+and+Sadik+Kwaish+Alfraji+featured+in+Diriyah+Art+Futures%27+second+exhibition+%27Maknana+An+Archeology+of+Media+Art+in+the+Arab+World%27+Ayyam+Gallery.png</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Blue promotional poster with white text and graphics promoting an exhibition on new media art in the Arab world, titled "Making Arab New Media" running from April 21 to July 19, 2025, featuring an illustration of a microscope.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/141b0cbc-f475-4eaa-8fde-188e32be3afc/Screenshot+2025-12-22+at+1.49.30%E2%80%AFAM.png</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Abstract mixed-media collage artwork with architectural elements, photographs of people, and layered geometric shapes for the 'Duplicates' art exhibit.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/29a863c5-32f2-4514-951c-df0a61203975/SamaAlShaibi_Instagram.jpg</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>A promotional poster with black background and orange text for an art exhibition by Sama Alshaibi titled 'Tell It To The River.' The poster features an image of a person walking through a dark landscape, carrying a large flag. The exhibition dates are February 27 to August 3, 2023, and it is curated by Mo Redda and Cima Azzam.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/4d9a38bc-ad3c-451b-916c-b588595937a7/Screenshot+2023-08-01+at+9.40.09+PM.png</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Poster for an art exhibit titled 'Crafting Resistance,' held from August 19, 2023 to July 14, 2024, featuring a minimalist design with a white fabric and string hanging from a wooden pole.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/7d95c41b-49a6-4459-9d05-bbb597f3c69b/Screenshot+2023-12-27+at+5.31.58+PM.png</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Poster for an art exhibition by Sama Alshaibi at Hatton Gallery titled Silsila, running from October 5 to December 22, 2023. The poster features a person standing on a reflective surface with an upward flowing red fabric and a sky with clouds in the background.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/e5542b01-b0b5-4a03-b864-28faa42e4772/Sama+Alshaibi_+Pheonix+Art+Museum.png</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Exhibition poster at the Phoenix Art Museum featuring art by Sama Alshaibi titled "Generation After Generation," displayed from September 17, 2022, to May 14, 2023, located in the lower level Katz Wing.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/bd5c8fc6-e816-4165-a75b-e191d02010d5/IMG_3332.jpg</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Poster for an art project titled 'Heterotopia' featuring a barren tree with roots reflected in water, with exhibition details, curators, and sponsors listed.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/e5a71bc4-f5d1-4ac0-a6b1-2994ae55fef2/Grainlines.png</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>A promotional poster for an art exhibit titled "Grainlines" by Sama Alshaibi, at Kittredge Gallery from August 30 to October 16, with a reception and artist talk at 5 p.m. on October 13. The background features a surreal landscape scene with a large body of water reflecting a desert with palm trees and dry, barren tree trunks, under a clear blue sky.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/65c4f3bc-41d7-4417-92a7-b505862e1b08/Screen+Shot+2021-03-20+at+4.45.01+PM.png</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>An art exhibition announcement featuring a circular photograph of a woman in a teal headscarf kneeling on sand, surrounded by small objects, with event details below.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/b5518e11-c6ec-42b2-a7dd-f2d837ffb2d0/Screen+Shot+2021-03-20+at+4.59.13+PM.png</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Invitation to an art exhibition by Palestinian-Iraqi artist Sama Alshaibi at Ayyam Gallery London, featuring a photograph of a person standing in water with their reflection visible, and text details about the event.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/64d649a8-f84b-45e5-9097-e3d877a2ea4b/Screen+Shot+2021-03-21+at+5.54.19+PM.png</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Poster for an art exhibition titled 'The Arrangements of the Soul in the Universe,' held from July 28 to August 28, 2018, at Langgeng Art Foundation in Yogyakarta, Indonesia. Features a photograph of a hillside neighborhood with buildings, trees, and a large wall or barrier winding through the landscape.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/117107eb-959b-41d3-9349-c6b285fc0c69/Screen+Shot+2021-03-20+at+5.00.24+PM.png</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Exhibition poster for 'Presenting Absence: Moving Images of Palestine' at Bonington Gallery, Nottingham, October 8-12, 2012. Features a woman with curly hair and two circular images: one of a woman holding papers and another of a sunlit water surface. Text describes the curator Anna Ball, the Centre for Colonial and Postcolonial Studies, and the event details. Logo for Nottingham Trent University in the lower right corner.</image:caption>
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      <image:title>Exhibitions</image:title>
      <image:caption>Invitation poster for the Maldives Pavilion opening at the Biennale Arte 2013, showcasing an exhibition titled 'Portable Nation: Disappearance as a Work in Progress - Approaches to Ecological Romanticism,' curated by the Chamber of Public Secrets, in collaboration with the Gervasuti Foundation, scheduled for Wednesday, May 29th, at 1:00 PM at the Gervasuti Foundation.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/ee53fd4a-0549-45e9-825a-4ce7702663f8/Edition+1_edge+of+arabia.jpg</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Invitation poster for an art exhibition titled 'EBTITION' by EOA Projects, opening on December 12th at 7:30 PM. The poster features a stylized map of the world with lines, details about the event, participating galleries, and artists, held from December 12, 2013 to February 8, 2014, at Edge of Arabia Gallery, London.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1dbc4afd-7fe7-48fa-b109-37ab3fac28ee/Sama+Alshaibi+e-vite+Staging+the+Imagined+Ayyam.jpg</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>A promotional poster for an art exhibition titled "Staging the Imagined" by Sama Alshaibi at Ayyam Gallery Dubai. The poster features a black-and-white photograph of a woman holding intricately woven wire sculptures, with a mountain range in the background.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/ba87149b-45fb-4e32-8928-ca24632c1983/Screen+Shot+2021-03-20+at+4.58.17+PM.png</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Nighttime cityscape of East London featuring the illuminated clock tower of the Palace of Westminster, with construction cranes nearby and text promoting an art event at Edge of Arabia.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/add7290e-7bb3-4347-8e4a-fe3a330c005e/Screen+Shot+2021-03-20+at+5.02.19+PM.png</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Event poster for an art photography exhibition titled 'This is not a love song,' featuring the names Noel Jabbour, Raed Bawaya, Hady Sy, Steve Sabella, Richard Mosse, and Sama Alshaibi. The exhibition is at Dubai's The Empty Quarter Fine Art Photography gallery, with an opening reception on March 9th from 7 p.m. to 10 p.m. The poster contains a lengthy text describing the exhibition's theme, background, and significance, set against a yellow background with red, black, and yellow text.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/84a38979-f83a-42f7-9433-455826f87c95/INVITE_March20_ayyam.jpg</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Announcement for the book launch of 'Sand Rushes In' by Sama Alshaibi. The event features a discussion about Alshaibi's work, her monograph, and themes of desert, borders, and the body. Date: March 20, 2015. Location: Julius Baer Lounge, Mina A'Salam, Madinat Jumeirah. Presented by Art Dubai, Ayyam Gallery, and Aperture Foundation.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/9da56c35-e494-4d0b-962b-ba4117a58f8f/Jasad+invite.jpg</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>A promotional poster for the art exhibition 'The Arbitrary Body' featuring a woman with long dark hair, minimal clothing, and a serious expression. The poster includes text with exhibition details, quotes, and descriptions in black, white, red, and blue backgrounds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/b0a67e9b-7088-4767-af5c-9045b4ee34b2/Screen+Shot+2021-03-20+at+4.45.50+PM.png</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Invitation poster for an art exhibition titled "They Welcomed Us With Flowers." The poster features a woman with long dark hair on the left and a person dressed in black on the right, both seated with their backs to the camera in a white, textured room. The text provides details about the event, including the opening date, duration, location, and contact information. The poster includes logos and credits, with a note at the bottom attributing the photograph to Sama Alshaibi &amp; Dena Al-Adeeb.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/cea5d1fe-61df-4e93-bcfd-613b864543bd/Screen+Shot+2021-03-20+at+4.52.20+PM.png</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>A person standing by a body of water with a reflection of palm trees and a clear sky, promoting water and land conservation from September 10 to October 12, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/78b009c5-2d5b-4044-97db-1bccd8e8c4f8/Screen+Shot+2021-03-20+at+4.32.24+PM.png</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Woman in black clothing holding a red flag, mirrored in the sky with clouds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60494aef52c48717789ddcf7/1616280212228-TIP8ZPW5OVEWKCZ04LFK/sama+alshaibi+Bolivia+.jpg</image:loc>
      <image:title>Exhibitions</image:title>
      <image:caption>Illustration with four women, each holding a firearm, set against green and orange backgrounds, and a title reading 'The Fourth Wall' curated by Mo Reda.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions</image:title>
      <image:caption>An individual wearing a white shirt playing a violin, with bees on their shoulder and chest, and the violin positioned as if they are actively playing it.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions</image:title>
      <image:caption>A promotional poster for an art exhibition titled 'Al Tariqah' by Sama Alshaibi. The poster features a desert landscape with three women dressed in black and green, with one squatting, one standing on a mound, and one walking. The background shows desert hills and a clear sky. The event runs from April 16 to April 25, with an opening on April 16 at 6:00 PM in the NYUAD A6 Foyer.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.samaalshaibi.com/exhibitions-1/until-total-liberation-at-artpace</loc>
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    <lastmod>2021-04-01</lastmod>
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      <image:title>Exhibitions - Until Total Liberation at Artpace</image:title>
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      <image:title>Exhibitions - Until Total Liberation at Artpace</image:title>
    </image:image>
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      <image:title>Exhibitions - Until Total Liberation at Artpace</image:title>
    </image:image>
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      <image:title>Exhibitions - Until Total Liberation at Artpace</image:title>
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